Let me ask you something: how many times have you been in the middle of a mix, thinking everything sounds solid, only to play it back on a different system and realize you completely missed something?
Happens to all of us.
Most of the time, the issue isn't your ears. It's your headphones. Too many of them add color—boosting bass here, hyping highs there—so you're not hearing what's actually there. You're hearing what the headphone wants you to hear.
So, how do you find a pair that tells you the truth?
That's the question we kept hearing from producers, engineers, and DJs over the years. And that's exactly why we built the DH-2300 under our Audfine brand.
We don't make headphones for casual listening. We make them for people who need accuracy. And we've been doing it long enough to know what actually matters.
"Will these headphones hold up to daily studio use?"
Good question. I'll get to that in a moment.
But first, let's talk about what actually goes into a studio headphone that's worth your time.
Sound quality is subjective. But this is not.
When we designed the DH-2300, we started with the drivers. A 50mm neodymium magnet is the size you see in a lot of high-end studio models, but it's not just the size—it's how you tune it. We balanced the frequency response so you're not getting a mid-scoop that makes everything sound "bigger." You're getting a relatively flat curve that helps you make decisions that translate.
The frequency range is 10Hz to 32kHz. That low end isn't for show—it's there so you can hear sub-bass energy without it turning into mud. And on the other end, 32kHz is high enough that you'll catch sibilance or harshness before it ruins your master.
Sensitivity is 98±3dB, impedance is 32Ω. What does that mean in practice?
It means you can plug these into just about anything. A laptop. A phone. A DJ mixer. A studio console. You don't need a dedicated headphone amp just to get decent volume. And the impedance is low enough for portable gear but high enough to stay clean on pro setups.
The cable is 3 meters long—fixed OFC, not that cheap copper-clad stuff—and we include a 6.35mm to 3.5mm adapter in the box. That way you're covered whether you're plugging into a console or a phone.
"Okay, but will they still feel comfortable after three hours?"
I can't tell you how many times we've had buyers say, "My current headphones sound fine, but after an hour my ears hurt."
That's not a sound problem. That's a design problem.
The DH-2300 has soft earpads that wrap around your ears, not press on them. They cut out some ambient noise—good for isolation when you're tracking vocals or working in a room with computer fans. But they're not so tight that you feel like your head's in a vice. The headband is lightweight and adjustable, so you can dial in the fit.
We've had customers wear them for six-hour mixing sessions without complaints. That's the kind of feedback we actually trust.
"What if I need to customize them for my brand?"
We get this a lot—especially from Amazon sellers and boutique audio brands.
We're a studio headphones manufacturer with our own production floor. When you ask us for a custom logo, custom ear-pad color, or custom packaging, we don't have to outsource. We just do it.
Some clients want their brand name on the headband. Others ask for a specific color that matches their studio gear. Some want retail-ready packaging that ships straight to Amazon FBA.
We've done all of these. And we keep samples ready so you can approve the look and feel before we run your full order.
For clients who aren't ready for a full container, we offer OEM over ear headphones ready to ship with lower minimums. That means you can start with a smaller batch, test the market, and scale up later.
The DH-2300 itself is in stock right now. Ready to ship within 48 hours of payment.
"What about shipping? I don't want surprise customs fees."
Smart. That's something a lot of buyers don't think about until the invoice arrives.
We offer wired headphones DDP wholesale China terms. That means we handle the duties and taxes on our end. You get your shipment delivered to your address with no extra fees waiting at the port. It's simpler, it's predictable, and it saves you time.
If you're an Amazon seller, we can also act as your DJ headphones Amazon custom supplier—handling labeling, packaging, and compliance requirements so you can focus on selling, not on logistics.
"How does this compare to other headphones in this price range?"
Fair question. Let's lay it out clearly.
| Feature | DH-2300 Spec | What That Actually Means For You |
|---|---|---|
| Driver | 50mm Neodymium | Strong enough for punchy lows and detailed highs without distorting when you push the volume. |
| Frequency Response | 10Hz – 32kHz | You'll hear sub-bass energy and high-frequency harmonics clearly, so you don't miss anything during mixdown. |
| Sensitivity | 98±3dB | No headphone amp required. Plug into laptops, phones, or DJ mixers and get useful volume. |
| Impedance | 32Ω | Works with both portable devices and pro studio gear. No mismatch issues. |
| Power Handling | 350mW rated / 1500mW max | You can drive them hard without distortion. Useful for loud monitoring or when using headphone distribution amps. |
| Cable | 3M fixed OFC | Long enough to move around your studio. Copper conductor keeps signal clean over the length. |
| Design | Lightweight, padded earpads, adjustable headband | Comfortable for long sessions. Good isolation keeps outside noise out and your mix in. |
| Included Adapter | 6.35mm to 3.5mm | One box, both plug sizes. No extra purchases. |
| Accessory Options | Hard case, soft bag, custom box, extra earpads/cables | You pick what goes in the kit. Good for travelers or retail. |
"I'm not a big buyer yet. Can I still order samples?"
Absolutely. In fact, we encourage it.
If you're a first-time buyer, we'll walk you through the sample process:
- Tell us which model you're looking at.
- Let us know if you need any custom branding or packaging.
- We'll send you a quote and arrange shipment.
- You test the sample, approve it, and we run your order.
We keep stock of the standard DH-2300, so samples ship fast. And if you need a small batch of ready to ship units, we can usually fulfill those without a long production lead time.
"Do you offer custom boxes or extra accessories?"
We do.
Some buyers want extra ear-pads so they can offer replacements to their customers. Others want custom-printed boxes that match their brand perfectly. We can handle that too.
We also offer different cable options—shorter, longer, coiled, straight—depending on what your market prefers. Just let us know what you need and we'll quote it.
"What's one thing people don't think about when buying studio headphones?"
Honestly? The seal.
If the earpads don't seal properly around your ears, the bass response changes. It's not a spec you can read on a sheet—you have to feel it. The DH-2300's earpads are soft enough to conform to different ear shapes while maintaining a consistent seal. That means you get the same low-end response whether you're wearing glasses or not.
We've had clients test different pads in our factory—foam density, thickness, material—to get the seal right. That kind of detail matters.
"So what's the bottom line?"
We're LESOUND ELECTRONICS. We make Audfine headphones and Yinyu stands. We're a monitor headphones factory that builds products we actually trust in studio environments.
The DH-2300 is in stock, ready to ship, and open for OEM customization. Whether you want your own logo, your own packaging, or your own color scheme, we can handle it.
Tell us your headphones project—quantity, custom needs, or just a sample request. We'll reply within one business day.
We don't do high-pressure sales. We just build good headphones and let the sound speak for itself.
Post time: Aug-05-2026