People email us all the time asking which Audfine headphone they should buy. Some are DJs. Some run recording studios. Some are music teachers buying for a whole classroom. And a lot of them are just tired of overpaying for big‑brand headphones that break after a year.
I work at LESOUND ELECTRONICS. We make Audfine headphones (and Yinyu music stands, but that’s a different conversation). We don’t resell. We don’t buy from some trading company down the road. We mould the plastic, solder the drivers, wind the cables, and test every pair before it goes in the box. That’s it.
So when someone asks me “which one should I get?”, my first question is always – what are you actually using it for?
Because that changes everything.
If you’re tracking instruments in a studio
You want a flat, honest sound. Not boosted bass, not hyped treble. You want to hear what the mic actually picked up, so you can decide if the take is good or if you need another round.
For that, I usually point people to the DH-7300 or the DH-7500.
The DH-7300 is our neutral all‑rounder. 10Hz to 40kHz frequency range, 97dB sensitivity, 32 ohms. Folds up. Swivels 90 degrees for one‑ear monitoring. Comes with a coiled 4‑meter cable – long enough to reach from the desk to the live room without pulling.
The DH-7500 is flatter. More analytical. 100dB sensitivity – so it’s louder at the same volume knob setting. Same fold and swivel. Same coiled cable. If you’re mixing or mastering, this one gives you less colouration. You hear the flaws in your mix. That’s the point.
If you’re a DJ
You probably care less about flat response and more about punch. You need to feel the kick drum, hear the bassline clearly in a loud booth, and beatmatch without straining.
Get the DH-1771. It’s tuned specifically for low‑end emphasis. Same 50mm neodymium driver, but the earcup design boosts the bass. Braided cable – 3 meters, not coiled – so it doesn’t tangle when you’re moving around. Earpads are soft and skin‑friendly because you’re probably wearing these for hours.
One thing – the 1771 doesn’t fold. If portability is a dealbreaker, look at the DH-7600 instead. It has a similar frequency response (12Hz–40kHz), slightly higher power handling (400mW rated, 2000mW max), and it does fold. Bass isn’t as boosted as the 1771, but it’s still solid.
If you’re buying for a school or rental company
Durability and repairability are your top concerns. Kids drop things. Renters abuse gear. Cables get yanked.
The DH-1775 has a detachable cable. That alone saves you a ton of money over time – if the cable dies, you don’t trash the whole headphone. Just plug in a new one. 18Hz–35kHz, 97dB, lightweight. No fold, but honestly, for studio use, that’s fine.
If you’re on a tighter budget, the DH-2300 is our workhorse. Fixed cable (3 meters), simple design, 10Hz–32kHz, 98dB. Lightweight, comfortable, affordable. We’ve sold these to school districts that bought 300 pairs at once. They hold up.
Here’s a quick side‑by‑side – no fluff, just numbers
| Model | Best use | Freq response | Sensitivity | Cable | Fold? | Special |
|---|---|---|---|---|---|---|
| DH-7300 | Studio tracking | 10Hz–40kHz | 97dB | Coiled 4M | Yes | Balanced sound |
| DH-7600 | Studio / DJ | 12Hz–40kHz | 98dB | Coiled 4M | Yes | More power headroom |
| DH-1771 | DJ, bass‑heavy | 10Hz–35kHz | 98dB | Braided 3M | No | Enhanced low end |
| DH-1775 | Critical monitoring | 18Hz–35kHz | 97dB | Detachable 3M | No | Replaceable cable |
| DH-2300 | Practice / budget | 10Hz–32kHz | 98dB | Fixed 3M | No | Lightweight, cheap |
| DH-7500 | Mixing / mastering | 12Hz–40kHz | 100dB | Coiled 4M | Yes | Flattest response |
All of them are 32Ω impedance, use 50mm neodymium drivers, and come with a gold‑plated 6.35mm to 3.5mm adapter. All of them have soft earpads and adjustable headbands. All of them have options for carrying cases, custom packaging, and extra ear‑pads or cables.
The questions we actually get – not the polished ones
“Do you have these in stock?” – Yes. Standard Audfine models are ready to ship. If you need 50 or 500, tell us, and we’ll tell you exactly how many we can pull from inventory.
“Can I put my logo on them?” – Sure. We’re a custom monitor headphones OEM factory. Send us your artwork, your Pantone color, and we’ll print it on the earcups or the headband. We can also customize the box – from a simple cardboard sleeve to a rigid gift‑style box.
“What about shipping to my country – I don’t want to deal with customs.” – We do DDP. That means we handle freight, insurance, customs clearance, and import duties. You pay one price, we deliver to your door. No broker fees. No surprise charges.
“Can I try a sample first?” – Yes. We send samples via DHL or FedEx. And if you want, we can do a video call and walk you through the build – show you the driver housing, the soldering points, the hinge mechanism. We’re not hiding anything.
“How do these compare to Sony or AKG?” – Look, we’re not saying we beat a $300 headphone. But for the price – especially wholesale – we’re competitive with anything in the mid‑tier range. The drivers are 50mm neodymium, the frequency range is wide, and the build is solid. A lot of our customers switched from the big names and never looked back. You get 80‑90% of the performance for half the cost, and you get to put your own brand on it.
“What if something breaks?” – We offer a one‑year warranty (negotiable for larger orders). We keep spare drivers, pads, and cables in stock. For OEM clients, we can even include extra spare parts in each carton.
Why go direct to LESOUND?
There are hundreds of listings on Alibaba and Amazon for studio headphones. Most of them are traders – they take your order, find the cheapest factory, and pray the quality holds up.
We’re the actual wired headphones manufacturer China. We own the injection moulding machines, the driver assembly line, the cable soldering station, and the testing rigs. That means:
– Every batch uses the same materials and tolerances. No surprises.
– You can change specs – cable length, colour, logo, even impedance – with reasonable minimums.
– We share test reports and production photos if you ask.
We also make Yinyu music stands, but that’s a whole other story. For now – if you need studio headphones, DJ headphones, monitor headphones, or any professional music headphones, Audfine is our brand, and we stand behind it.
So what now?
If you’ve made it this far, you’re probably actually interested. Not just browsing.
Figure out which model fits your use case. Then email us – tell us the model, the quantity, whether you need OEM (logo, colour, packaging), and where you’re shipping to.
We’ll reply within 24 hours. A real person. Not a chatbot. And we’ll send you a quote, a lead time, and sample options.
We have headphones ready to ship DDP – so if you’re in a hurry, we can move fast.
Contact LESOUND ELECTRONICS. Mention you read this article, and we’ll include a free pair of spare ear‑pads with your first order. Nothing huge, just a small thank‑you.
No pressure. Just good headphones from a factory that actually makes them.
Post time: Jul-24-2026



